Crenshaw, Kimberlee, “ Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color,” Stanford Law Review 43, no. 1 ( 2018): 3– 15 CrossRef Google Scholar. Peter, Platonic Noise ( Princeton, NJ: Princeton University Press, 2003) Google Scholar Honig, Antigone, Interrupted Kasimis, Demetra, The Perpetual Immigrant and the Limits of Athenian Democracy ( Cambridge: Cambridge University Press, 2018) CrossRef Google Scholar.ĥ4 See Carastathis, Anna, Kouri-Towe, Natalie, Mahrouse, Gada, Whitley, Leila, “ Introduction,” Refuge 34, no. 2 ( 2012): 275–93 CrossRef Google Scholar Euben, J.

Some examples of political theory undertaken in this mode include Brown, Wendy, States of Injury: Power and Freedom in Late Modernity ( Princeton, NJ: Princeton University Press, 1995) CrossRef Google Scholar Klausen, Jimmy Casas, Fugitive Rousseau: Slavery, Primitivism, and Political Freedom ( New York: Fordham University Press, 2016) Google Scholar Dietz, Mary G., “ Between Polis and Empire: Aristotle's Politics,” American Political Science Review 106, no. meant ‘to think against the tradition while using its own conceptual tools’” ( Pitkin,, The Attack of the Blob: Hannah Arendt's Concept of the Social. She refers to Hannah Arendt, for whom doing “political theory. Instead, he creates a nuanced, sympathetic portrayal of a woman betrayed and her attempts to regain her power and life in a male-dominated world.12 Hanna Fenichel Pitkin elaborates an understanding of political theory as a critical enterprise that engages with past texts not to directly apply its insights but to unsettle lines of thought. Euripides does not tell a straightforward story of revenge and murder. However, this compelling narrative has endured through the ages and become part of popular culture.

When it was first performed, the play received last place in the City Dionysia festival, a shocking turn of events for the famous playwright. Euripides creates a character so engaging that by the end of the story, Jason still seems more like the villain than the victim. She then begins to plot her hideous revenge, all the while detailing the sacrifices she made for Jason. The audience hears Medea shriek from inside the house, scorned, angry, and shamed. The play opens on Medea’s house where her Nurse explains to the audience that Jason has decided to leave Medea and their two children in order to marry Glauce, the king’s daughter, and gain a socially advantageous position. Originally performed in 431 BCE, The Medea is based on the mythological story of Jason and Medea, the hero who piloted the Argonauts and the sorceress who helped him succeed. Euripides’s Greek tragedy The Medea has horrified audiences for centuries.

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